This, on the other hand, is not only shameless - never more so than on that crazy, infernal “I-I-I”/”ah-ah-ah” hook - it’s constructed with enough ingenuity that I could see it sounding better and better with time. Holiday’s ‘Bed,'” and while I find that song’s shamelessness admirable, it’s never been a particular favorite. Michaelangelo Matos: A friend described this to me as “the perfect follow-up to J. I like hearing “G spot” sung with enthusiasm, but this sounds exhausting! Maybe she just wants a nice dinner and night out or a simple foot massage. Hillary Brown: It’d be a 7 if not for Jeremih seeming like he’s going to provide his girl with birthday sex and hours of passion, whether she likes it or not, which isn’t necessarily an appealing prospect. And that’s before the MMA-as-sex metaphor later on. Ian Mathers: “We switchin’ positions, you feelin’ surrounded” – maybe I just don’t understand “Birthday Sex,” but that sounds neither sexy nor fun. Harmless, but it sounds like a b-side to me. Martin Skidmore: Does he deprive her every other day? Anyway, any sense of seductiveness is badly undermined by the use of autotune. Tom Ewing: It’s the thought that counts, I suppose. Donnie Trumpet & the Social Experiment.
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